
A scruffy way to start the day. Smile and the whole world smiles with you.
A final look at Sara. I kind of like this one and purposely kept it to a head shot. I actually wanted to leave it without any indication of the torso but felt guilty about breaking down early so I kept drawing. I knew I didn't have enough time really delve into the face without leaving it incomplete and I was happy with the simple rendering I had so I threw in the shoulder and such. Next session I think I will concentrate on finishing what I can rather than trying to get a finished piece.
Another similar pose to Wednesdays. The same reasons apply as to why I like these poses, the weight of the figure collapsing in upon itself creating shapes and that are not readily drawn from memory. I'm told that much of what artists put down on paper or canvas is easily identifiable imagery. Do we actually render the shape in front of us or do we rely on icons to form our drawing? I know that I often render an ear as I think an ear should be. When I stop to really look at the ear I'm drawing I get lost in the uniqueness of what I'm seeing. I know that I do this to make the most use of the time I have (usually only ten minutes) so I fall back on familiar images. Perhaps I will try to be more faithful and get less of a complete drawing done the next session.
I finished up the gestures on this page and then did the first drawing (bottom right) of the night. I guess I felt a little impressionistic, using the large vine charcoal exclusively on this one. M's body type really lends itself to the broad strokes to indicate the masses and the chunky lines give this a bit of that illustrative look from days gone by.

