Like a racoon

 My favorite of the evening.  Last pose before the break and I had about 9 minutes.  I loved the shadows around her eyes and bridge of her nose.  I opted to work the areas of interest rather than get all of the pieces knocked in, leaving a much more incomplete drawing than I already have.  At least this one looks artistic in its choices.

The long pose

 I had an entirely different plan for this pose but it wasn't working out so I started building out, and I'm glad I did.

Headed to Roots

 Earlier this year we had the good fortune to have a small screech owl family spend some time in our trees.  They were fairly tolerant of my constant picture taking.  Charcoal and white pastel 4.5 x 6.5.

Darn that clock!

 I was really, really enjoying this drawing (really, I was) when time ran out.  The movement would have been awesome to capture but all I had the time for was to indulge in those beautiful shadows.  I would have had an absolute ball rendering the rib cage and belly.  Alas...

Hand on hip

 I'm really loving the shadows that we are getting these last couple of weeks.  This is a partial torso sketch based around the cast shadow.  The drawing ain't much but the journey was fun.

Gestures of Samm

 

As always, Samm just does an amazing job for The Black Hand Group.  

And the favorite of the evening is...

 ...this little fifteen minute sketch.  I was drawn in with the beautiful strong shadow cast down her side and the way it just gave up when it hit her waist.  Not giving her oblique even a token line kind of tilts the figure, but I'm okay with that.  Moving up to where her neck meets under her jaw and the little suggestion of her mouth and nose and even eyelashes, just made me so very happy.  Even with the clock expiring, which usually makes me quite angry, I think it was a blessing to be forced to stop.  Just a great drawing experience.

Long pose

 I really like this sketch and loved the pose, but it wasn't my favorite of the evening.  Tune in tomorrow for that one...

Partial head study

 I get lost in the shadows that Dylan's cheeks cast.  They just beg to be interpreted and represented by sloppy and seemingly random slashes of charcoal.  It's almost sculptural when I get going on that kind of shadow.

10 minutes

 So many interesting lines and shapes that it just is an injustice to only have ten minutes to get anything done.

Gestures of Dylan

 Some very dynamic poses of Dylan.  One minute per pose, gotta get what I can in 60 seconds!

Samm gets comfortable

 I'm pretty happy with this one, the wonderful cast shadows and the elegant tilt to the pose.  This is a nice one (in my extremely humble opinion).

Shadows and shapes

 This was a fun little experiment in abstract realism.  Only about 10 minutes with this one so I chose to just focus on an area.

Samm at rest

 Just a study in unfinished body parts.  A couple of fingers here, a hint of hip, a start of the head.  You know, not even an attempt to finish this one.

Two fer one

 I stuck two poses on the same page.  Wish I had moved the second drawing down further...

Gestures of Samm

 The normal 10 sketches with Samm putting her all into it.  

Lost edges and heavy shadows

 This fifteen minute sketch was my favorite of the evening.  A lot of great shadows and some fun lost edges really make this an image I can be okay with.

Long pose

 This was coming along fairly nicely when, surprise, time ran out.  So many nice shadows defining some really great shapes.  This was a lot of fun to work on.

Conté profile

 

A profile study.  Meh, not my best effort.

Hippy hippy shake

Loved the movement and the really fun cast shadow across the belly.  This makes for some really fun time at the easel.
 

Gestures of Lady D

 A small group of four artists got to have Dylan all to themselves.  The gestures were dynamic, as always.  Would love to have had the time to work on a few of them for a bit longer (or much longer).  But that's the same old line I use every Friday, ain't it.

My favorite from the evening

 

This one has it all, aside from a full figure.  The motion implied and the simplicity of the choices of what to render make this more art than just a sketch.  This is my favorite style of figure drawing.

The long pose

 We got about 52 minutes out of this one.  Dylan probably regrets this one as she was resting on her left hand.  Great job, for sure.

10 minutes

 We had two 10 minute poses.  This was the second.  Just a study in form and and mass.  

15 minutes

I was moving too slowly on this one and really didn't get far enough in the time allotted.  If anybody reads my comments you may think I just cut and paste the same statement, ad nauseam.  I don't, but I do repeat myself... a lot.
 

Gestures of Dylan

 Dylan came in after a delay at the train tracks and just knocked out great pose after great pose.  Fun night with a small group.

The long pose

 If I decide to finish her face this could be a pretty nice drawing.  Either way, I'm very pleased with the forms and sense of mass that this one conveys.  Yep, very happy.

20 minutes

 I got a little precious with this one.  I spent an inordinate amount of time on her left shoulder.  I had a fixation on that shadow and just couldn't let it be.

10 minute head study

 This one just didn't gel.  It happens... sometimes.

10 minutes and counting

 This one had a lot, a lot, of potential.  Derailed by a lack of time.  I was having an absolute ball making the marks on this and I'm fairly upset that I didn't get the time to "flesh" this one out.

Samm is back

 Gestures.  Yep, just gestures.  Samm gave us some wonderful poses to work with.

I have a plan for this one

 I intentionally didn't complete her right arm as it disappeared into shadow, and I intend to plunge it back into shadows again, along with finishing her face.  In the studio I'll be able to take my time and finish it the way I envision, with a soft black background that melds her arm into the darkness.

 I started this one with the right arm, investing a lot of time into the shadow and trying to make sure it looks in perspective.  I then tried to play catch-up with the rest of the figure and face.

The long pose

 So much information and, even at 45 minutes, not enough time to get it all down.  So many interesting shapes, especially the legs.  I need to at least finish her face.  For me, her mouth is tough to really get right and I plan on doing that much correct.

The classic Dylan pose

 Dylan is very long and lean and she uses that to great advantage.  When she bends her figure creates such angular shapes that make for beautiful lines.  Of course, 10 minutes is never enough time to really do any of these poses justice.  

My fourth set of gestures of Dylan

Dylan took some really nice gesture poses, a couple of which I wish would have been much longer than a minute each.  The nature of the game, it seems.
 

Twelve minutes

 This seems to be the go to pose for me to get a decent drawing.  Long and lean with that bend.  Just a nice stance to work with.

Long pose

 There is a lot I like about this drawing but, ultimately, my failure to capture her face makes this a sketch I'm just not happy with.

Ten minute torso

 A study in shapes and mass and connections.

Ten minutes...

 ... not nearly enough time.  This pose, right out of the gate, was one I really wanted to explore.  And for that, I... NEED... MORE... TIME!!!!  A real lost opportunity.

Gestures of Dylan

 Another terrific session with Dylan.  Wonderful set of 1 minute poses.  I would love a chance to work with some of these poses for longer than a minute.

Long pose

 I really enjoy these longer poses, especially when the model is relaxed and elongated.  So many great shapes and masses, twists and such that draw the eye around the figure.

A fuller partial torso study in conté

 This was my favorite drawing of the session.  Only fifteen minutes, but still my favorite.