
This was a quick sketch for a fan that I did Sunday. Hope he likes it.
This could be cool, if I push the mood. May take license and make the hair black and push the Asian theme with the mini Kimono. Don't know. This would be the last one I deal with, if at all.

I like the loose manner of the paint application and the very impressionistic background (I truly hate painting backgrounds) and chair. A bit more work on the right hand and the face would probably make me happy enough to call this one done.
I suppose I should just view these as practice, which is what they were. I don't know why I think everything I start should be a finished product. Kind of stops me in my tracks too often. This is another image that I love the shapes that are so prominent, the right hip and the knees are great shapes. I really like the left arm and hand, perhaps because they are so unresolved. Just got to get over it.
This one would be my Andrew Wyeth "Helga" painting if I ever get it done. Love the shapes and the weight of the figure in this one. I have to say that I am reticent to ruin anything that was done during the session but I really would love to have these finished up and see if they could be all that I imagined them to be.

I was so wrapped up in this pose that I just didn't get to the face. I really love some of the stuff I did here, especially the right foot and the whole lower body. The relaxed upper body and the manner in which Sara draped her arms really makes this a great pose. Not even upset that I couldn't finish it, just too much nice stuff going on here. What a great way to go into the break.
A distorted angle to begin with made all the more "dynamic" by the fact that I was seated and not standing for this drawing. I think I would have liked to explore this pose longer and when we get back to it I will probably ask Sara to take this one again. Extend the time on it as well. A lot of great shapes in here as well as some interesting, if subtle, transitions.

This missed the mark. Not sure why because the basics are solid. I've always had difficulties with this particular pose, the face either being partially obscured or when it is laying on an arm or otherwise distorted. It messes with my preconceived notion of what I am looking at. Perhaps this only makes sense to me but then again it is my blog so I guess whatever nonsense that may be rolling around my skull at the moment I'm at the keyboard will, on occasion, make its way to the net. I digress. I tried to save the drawing with shading and that, obviously,didn't work. What I am saying is, this one just didn't work.
And the execution wasn't too bad. Again, exploring the lines with minimal shading. I am kind of enjoying that. Maybe this will turn into something I can finally settle down with.
I think this one may be as close to a finish as I've gotten in some time. Simple line work, finished face, the lost edges I so love to not do. I love the twist to the body in this one and the expression in the face.
Sara gives us a lot of different looks. I really like the way her hair frames the drawing in this and some ensuing sketches. However, in this particular image, I'm very pleased with the simple yet effective rendering of the legs. I had to make a choice of what was important to me as I knew I wouldn't be finishing this one and the lower body just appealed to me as the more interesting aspect of this pose.

I allow my emotional state to affect me far too much for my own good. As this was the last session for a long while I was very much wanting every line to count, to mean something. Doesn't work that way.

I'm going to be stretching the drawings out this time since we will not be meeting again until December 2 due to our room being given to other groups for the next two weeks. Then Thanksgiving. You get the idea.
I'm pretty pleased with this one. Although I like the reclining pose from yesterday's post best, this one turned out very well from a technique standpoint.

I'm happy with both of these although the reclining pose really was my favorite. Something about the lines and shapes and the fluidity of it all...

A very nice pose that I just didn't capture well. At least the drawings are headed in the right direction.