
A scruffy way to start the day. Smile and the whole world smiles with you.
A final look at Sara. I kind of like this one and purposely kept it to a head shot. I actually wanted to leave it without any indication of the torso but felt guilty about breaking down early so I kept drawing. I knew I didn't have enough time really delve into the face without leaving it incomplete and I was happy with the simple rendering I had so I threw in the shoulder and such. Next session I think I will concentrate on finishing what I can rather than trying to get a finished piece.
Another similar pose to Wednesdays. The same reasons apply as to why I like these poses, the weight of the figure collapsing in upon itself creating shapes and that are not readily drawn from memory. I'm told that much of what artists put down on paper or canvas is easily identifiable imagery. Do we actually render the shape in front of us or do we rely on icons to form our drawing? I know that I often render an ear as I think an ear should be. When I stop to really look at the ear I'm drawing I get lost in the uniqueness of what I'm seeing. I know that I do this to make the most use of the time I have (usually only ten minutes) so I fall back on familiar images. Perhaps I will try to be more faithful and get less of a complete drawing done the next session.

or perhaps she's just resting before that big Thanksgiving Day feast. Regardless, these are some of my favorite poses. With the angle and gravity creating great shapes and interesting layers that challenge me to be faithful to what I see and not try to draw what I think should be there.

Much happier with this one. Not a great drawing but at least the pose didn't make me look foolish. Got a little too enamored with the hand, I think, but at least you can tell it's a person. Baby steps, everyone, baby steps.



I believe I ran out of steam at the end here. I sort of like the back shot but I just went through the motions with the last piece. I think I wanted to finish a face and just did enough to do that. I hope to do a little more tonight, you know, finish strong.

Would I like to blame this drawing on poor choice of materials? Of course! However, I just felt befuddled by this pose. There's nothing I can point to exactly as to why this doesn't work for me, it just doesn't.
Pretty pleased with the direction this one was going. Not enough time but what got done was encouraging. Even the flow of the draped sheet on the stool added to the overall image. Probably my favorite sketch of the evening.
I finished up the gestures on this page and then did the first drawing (bottom right) of the night. I guess I felt a little impressionistic, using the large vine charcoal exclusively on this one. M's body type really lends itself to the broad strokes to indicate the masses and the chunky lines give this a bit of that illustrative look from days gone by.


I guess I was in a bit of a minimalist mood last Thursday. I kind of like this although there seems to be a bit of a proportion problem. Believe me, I measured many times and I still think the head is too small. Not sure why...
I've done this pose many a time and it never fails to remind me of a Jeff Jones drawing. For me, that's not a bad thing.
There are some things I like in this sketch but overall I wasn't happy with it. Too heavy with the outline on the head and how it drew down into the neck. A lack of confidence, it seems. I was having problems with the eye until the last ten or so seconds. Amazing what a bottom lid will do.
Simple line work with a dynamic pose. I was quite happy with the way the evening began. Wonder how the rest of the night unfolds.




